A tech enthusiast and digital strategist with over a decade of experience in reviewing gadgets and exploring emerging technologies.
It is the time of year to slob out on the sofa and devour a box of mince pies in front of a good movie, a bad movie, or one that’s terrible yet terrific.
Once again, a crop of new seasonal stories aims to become part of our holiday traditions—maybe even finding a spot alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
So, in a vital public service to separate the winners from the losers, and to find the festive feeling, I watched as many fresh holiday releases as possible in a single day.
Beginning, optimistically, on a high. This film is the only 2025 title on a famous website's list of the best 100 Christmas movies of all time.
The popular band are trapped in the UK after wrapping up their global concert series and must get home for Christmas. Their efforts are hampered by an evil Santa, who breaks into song to state they won’t get home until they “find their sibling bond.”
The banter between the arguing trio is enjoyable even for the uninitiated, while devotees will no doubt pick up on lots of references as they try to get back using every mode of travel possible.
It’s private planes, trains and automobiles.
It’s not legendary, but is superb for devotees and a good start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who are obliged to sit through it.
A-list actor Kiefer Sutherland appears as a movie actor cast a pantomime.
“A panto-what??” asks Sutherland’s “difficult” and older star Brad Mack, who has fallen on hard times and whose representative has tricked him into thinking he’s starring in renowned British drama.
His Aladdin cast-mates tell him he’s playing Buttons. “Absolutely not,” he insists angrily. It's easy to predict their retort. Except if you’re not acquainted with traditional British theatre traditions.
There are some hilarious moments, some touching storylines, and the ensemble is excellent, too.
It’s the kind of movie that would be a bit naff at a different time, but is a lot of fun at Christmas.
Festive score: 🎄🎄🎄🎄
A familiar face appears at the outset of this film, too, insulting someone for the second film in a row. Is this a budding festive ritual?
This time, he’s a musical taxi operator who encounters Mr Sood, the latest spin on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The classic narrative unfolds as the miserly Mr Sood is haunted by the ghosts of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This Indian Scrooge is at least distinct from all the others, but regrettably he’s not very captivating and Nayyar’s performance is wooden—a problem when he’s so the focal point.
Festive score: 🎄🎄
There’s time for a major broadcaster's Christmas comedy-drama—which stars Guz Khan as a charmingly cantankerous character who “doesn’t really do Christmas.”
But after he receives an sizable holiday payout at work, his wife (played by Morgana Robinson) persuades him spending the sum on a holiday to Lapland.
There’s just one issue—he learns there was an error with his bonus, which should have been £800, and he has to figure out how to return the excess.
Pleasant yet unmemorable.
Christmas tree rating: 🎄🎄
This is one of those Christmas films where the festive trappings are in the setting—Christmas is the scene of the film rather than its raison d’etre—but it feels comfortable and seasonal all the same.
High-powered businesswoman Sydney (starring Minka Kelly) is sent to a vineyard to secure an acquisition for a sparkling wine company. En route, she runs into a guy in a book store who offers to show her Christmas in Paris.
A commentator recently declared this is the best new Christmas film of the past few years. That’s a bit of a overstatement, but it is a Christmas romance with a touch of class and gives the required heartwarming sensation.
The scene with a extended debate about Die Hard is particularly strong too.
Festive score: 🎄🎄🎄
Sixteen-year-old Chris, played by Lenny Rush, refuses to stop believing in Father Christmas, regardless of the efforts of his dad (played by James Buckley) to tell him otherwise.
The answer is out there, and Chris embarks on a quest to find it with the expert help of a team of well-known scientists and personalities.
It’s gentle but endearing, and good viewing while expecting Santa to visit.
Christmas tree rating: 🎄🎄🎄
Michelle Pfeiffer is the head of a quarrelling American family who gather for the holidays—including fellow acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer starts by mentioning classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the unsung heroes of the holidays—moms.”
So that’s the premise, but in execution it’s really a jumble of those inspirations, at least until Pfeiffer’s character finally finds her strength.
Festive score: 🎄🎄
The day’s taken a dip, but happily here’s a new offering in the packed genre of cliched, saccharine, over-the-top—and strangely compelling—seasonal comfort food.
It’s a narrative as old as time: An American woman travels to a far-off wintery locale and ends up discovering romance.
In this case, Caprice Bourret plays a publisher
A tech enthusiast and digital strategist with over a decade of experience in reviewing gadgets and exploring emerging technologies.